MarekSPolzki marks his debut on the Spanish label Suara. On July 16th, the Warsaw-based producer and DJ releases his brand new EP, “You Can’t See Me” – and while his sound generally revolves around techno and raw groove with hypnotic elements, he’s open to experimentation. Because when Coyu himself—the label owner, responsible for releases by artists such as Axel Karakasis, Frazi.er, D.A.V.E. The Drummer, DJ Dextro, Klint, Flug, Uncertain, Hans Bouffmyhre, and Insolate—invites you to record some material for Suara, saying “no” is simply not an option.
A nine-year hiatus, abandonment of his former alias, “mRs,” and a return to making music in 2022. This decision definitely opened a whole new chapter in Marek Wadas’ artistic career—today, four years later, he has released as many as 53 tracks (including 12 EPs alone in the first half of the year), and his tracks are played and appreciated by both Polish and international artists. He plans to close out 2026 with over 20 releases—and given his diligence, consistency, and commitment to finishing tracks, this plan has a good chance of becoming reality.
“Intensity on the dance floor doesn’t have to come from extremely high BPMs,”
admits Marek. In his work and set selection, he oscillates between hypnotic and groovy techno—as long as all the elements maintain a cohesive narrative and an energetic rhythm. His productions are raw yet polished and expressive; tension is built gradually, and there’s no shortage of surprising or unexpected moments. This approach—to both production and DJing—has brought Marek releases on labels such as Modularz, Mind Trip, Recorded Things, Olympian, Subsist, and Concrete Records. And while intensity can be perceived in many ways, I see it as music so good that it keeps dancers on the dance floor for hours on end (and even longer).
His latest source of pride is the EP “You Can’t See Me,” which will be released on July 16th on Suara. It consists of four tracks—Gettin’ by, Normal, Told You So, and You Can’t See Me—as well as two remixes, by Comrade Winston and Chloe Lula. What stands out most about these tracks is their rhythmic energy, the cohesion between them, and the blend of minimalism with hypnotic elements—in other words, the essence and strongest aspect of Marek’s productions.
Agata Omelańska: What’s the story behind this EP? I heard that the label owner, Coyu, invited you to record it—how does it feel to be honored like that?
MarekSPolzki: Yes, one day Coyu messaged me on Instagram with a proposal to make an EP for his label. It was right after the release of one of my EPs for Modularz, which he really liked, so he decided to reach out and invite me to collaborate. The label’s style and sound differ a bit from what I usually create, but on the other hand, I like to “flirt” with dub techno-style tracks—chord-based and full of powerful stabs.
Being included in this label’s catalog is definitely an honor for me, so working on this material was a pure pleasure. Plus, the EP will feature two remixes: one by Comrade Winston and the other by Tresor’s resident, Chloe Lula, which—in my opinion—only adds to the appeal of the entire release.
“You Can’t See Me” EP marks your debut on Suara. What was your first encounter with this Spanish label? Which artist, album—or cat—was the first in your history?
I can’t pinpoint exactly when I first came across this label. But so many great artists from the global techno scene have released their music there, so I don’t think it’s possible not to know anything about it. Especially since it already had two excellent Polish producers in its catalog: Deas and AGIM_.
The strongest track on this EP is… (and why)?
Judging my own music is really tough for me. I’m super critical of my own work, but if I had to choose, I’d say the title track, “You Can’t See Me,” – it’s the most dancefloor-friendly and energetic.
Although the “Normal” remix by Chloe Lula is my second favorite; I love broken techno, and I have to admit that Chloe surprised me by going in that direction. She surprised me, of course, in a very positive way!
Which of your releases are you most proud of?
Aside from the fact that I always have some “but” when it comes to my work, I’d point to my latest EP, “Bezkres,” released on Developer’s Modularz, and the EP “Spektrum” for Pfirter’s MindTrip label. I’ve been a fan of both of their works for over a decade, so—personally—it’s a huge honor for me to have my music released there.
I can also reveal that this year, for the fourth time, I’ll be appearing on Modularz in September—and as I’m saying this, I’ve just received an email from him with that information. Plus, my second release on MindTrip is set to come out around November.
What is your main goal as an artist? Where would you like to take your music?
My goal as an artist? I want to constantly develop my craft and sound, and I’m always working on that. Continuous growth is what excites me most about this whole process, and by devoting my whole heart and time to music, I know that this process is happening.
As for more “down-to-earth” goals—I have a short list of labels I’d like to sign with, and I firmly believe it’s only a matter of time. A matter of time, combined, of course, with the ability to reach out to some of these labels, because that’s often the biggest hurdle.
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